作編曲技塾カリキュラム
音楽理論を学ぶのに重要なのは内容、そして順序です。私たちには音楽を教えるプロフェッショナルであるという自負があります。それはどこの音楽教室よりも音楽を教えることについて真摯に向き合いどこのインストラクターよりも研究してきたという自信があるからです。そんな私たちが音楽理論を学んでいただく上で確信を持っているのが重要なのは「内容」と「順序」であるということです。行き当たりばったりの計画性の無いレッスンは全くの無駄です。受講して頂いた方にいつまでも残る教養を身に付けてもらいたい。その為には考え抜かれたカリキュラムがなくてはならないのです。
カリキュラム内容
１.基礎音楽知識
[1-1]基礎音楽知識 （楽譜、鍵盤の理解）Major Scale と Keyの概念[1-2]Interval 反応
２.Major Key Chord Progression
[2-1]Major Key Diatonic Chords (Triads)[2-2]Major Key Diatonic Chords (7th Chords)[2-3]Chord Progression1 (Chordの分類,Tonic,Subdominant,Dominant)[2-4]Chord Progression2 (Root Motion、小節の捉え方)
３.Major Key Melodic Manipulation
[3-1]Chord tone & Non-Chord tone (Tension,Avoid Note)[3-2]Melodic Manipulation (Syncopation Anticipation Auftakt)[3-3]Scale 発想 (Scale Character,Pentatonic Scale)[3-4]Chord Scale (Mode Scale)
４.Major Key Non-Diatonic Chords
[4-1]Secondary Dominant Chords[4-2]Related Ⅱm7 Chords[4-3]Extended Dominant[4-4]Dominant Chord Scale 1 (Altered Scale,Secondary Dominant Scale )
５.Minor Key Context
[5-1]Minor Scale (Natural Minor Scale,Harmonic Minor Scale)[5-2]Minor Key Chord Progression (Chordの分類,Tonic,Subdominant,Dominant)[5-3]Minor Key Melodic Manipulation (Non-Chord Tones,Scale Tendencies)[5-4]Modal Interchange (Major/Minor)
６.Blues
[6-1]Blues 概要 (Dominant Blues,Blue Note)[6-2]Blues Scale (Blues Pentatonic,add#4 Scale)[6-3]Blues派生コード (Minor/Blues Modal Interchange)[6-4]Blues応用 (Major系Blues,Minor Blues,Jazz Blues)[6-5]Tonal Context 総括 (Major/Minor/Blues)
７.Cliche/Pedal Point
[7-1]Range/Low Interval Limit[7-2]Pedal Point(Tonic Pedal,Dominant Pedal,Bass Pedal,Interior Pedal,Soprano Pedal)[7-3]Line Cliche (Bass Line Cliche,Chord Voicing)
８.Other kind of Chord
[8-1]Suspended 4th/6th Chord/add9/Fifth Chord[8-2]＃Ⅳm7(b5)/bⅡMaj7[8-3]Substitute Dominant/relⅡm7/MinorⅡⅤ (Jazz Chord Progression)[8-4]Lydian b7 Scale/Locrian natural 6[8-5]Diminished Chord (Passing Diminished/SubⅤ7 Diminished/Ⅰdim7 Ⅴdim7)[8-6]Diminished Chord Scale (Symmetric Diminished Scale/Tonality Diminished Scale)[8-7]Dominant Chord Scale 2 (Symmetric Dominant Scale / Whole tone Scale)
９.Compound Chord
[9-1]Inversion Chord[9-2]Hybrid Chord (Diatonic Chord Scale)[9-3]Hybrid Chord (Non-Diatonic Chord Scale)[9-4]Upper Structure Triad[9-5]Polychord
１０.Modulation
[10-1]Trancepose/Modal Interchange[10-2]Direct Modulation[10-3]Dominant Chord Modulation[10-4]Pivot Chord Modulation[10-5]Transitional Modulation
１１.Modal Context
[11-1]Modal Contextの考え方[11-2]Modal Harmony (Dorian Scale)[11-3]Phrygian Dominant (Spanish 8note Scale)[11-4]Lydian (Scaleのみでの作曲法,Minimal Music)[11-5]Mixolydian (様々なScaleでのModal Interchange)[11-6]Aeolian Locrian Ionian
１２.Advance Modal Context
[12-1]Mode from Harmonic Minor Scale (Tonal&Modal Context)[12-2]Mode From Melodic Minor Scale (Tonal&Modal Context)[12-3]Mode From Harmonic Major Scale (Tonal&Modal Context)[12-4]Other Mode Scale
１３.Contemporary
[13-1]Traditional Scale[13-2]Symmetric Scale (Messiaen Scale)[13-3]現代作曲技法 (Minimal Music,１２音技法,微分音Etc,,,)[13-4]Contemporary Music 作曲
１４.Harmony Arrange
[14-1]PartSoli1 (4part,Close Voicing)[14-2]PartSoli2 (Open Voicing)[14-3]PartSoli3 (3part,2part,5part)[14-4]Approach Technic[14-5]Top Note Voicing (ソロピアノ、ソロギター制作)[14-6]Spread Voicing[14-7]Melodic Embellishment
１５.Harmony Arrange2
[15-1]Voicing in 4th (Tonal Context/Modal Context)[15-2]Voicing in 2nd[15-3]Upper Structure Triad
１６. Arranging
[16-1]楽器の特性、音域の基礎知識[16-2]木管楽器でのArrange[16-3]SaxPhone でのArrange[16-4]金管楽器でのArrange[16-5]Horn Section Arrange[16-6].Big Band Jazz Arrange[16-7]Improvisationの制作
１７. Arranging2
[17-1]弦楽器でのArrange[17-2]打楽器、パーカッション等について[17-3]その他の楽器[17-4]Small Orchestra Arrange[17-5]Full Orchestra Arrange
１.基礎音楽知識
[1-1]基礎音楽知識 （楽譜、鍵盤の理解）Major Scale と Keyの概念[1-2]Interval 反応
２.Major Key Chord Progression
[2-1]Major Key Diatonic Chords (Triads)[2-2]Major Key Diatonic Chords (7th Chords)[2-3]Chord Progression1 (Chordの分類,Tonic,Subdominant,Dominant)[2-4]Chord Progression2 (Root Motion、小節の捉え方)
３.Major Key Melodic Manipulation
[3-1]Chord tone & Non-Chord tone (Tension,Avoid Note)[3-2]Melodic Manipulation (Syncopation Anticipation Auftakt)[3-3]Scale 発想 (Scale Character,Pentatonic Scale)[3-4]Chord Scale (Mode Scale)
４.Major Key Non-Diatonic Chords
[4-1]Secondary Dominant Chords[4-2]Related Ⅱm7 Chords[4-3]Extended Dominant[4-4]Dominant Chord Scale 1 (Altered Scale,Secondary Dominant Scale )
５.Minor Key Context
[5-1]Minor Scale (Natural Minor Scale,Harmonic Minor Scale)[5-2]Minor Key Chord Progression (Chordの分類,Tonic,Subdominant,Dominant)[5-3]Minor Key Melodic Manipulation (Non-Chord Tones,Scale Tendencies)[5-4]Modal Interchange (Major/Minor)
６.Blues
[6-1]Blues 概要 (Dominant Blues,Blue Note)[6-2]Blues Scale (Blues Pentatonic,add#4 Scale)[6-3]Blues派生コード (Minor/Blues Modal Interchange)[6-4]Blues応用 (Major系Blues,Minor Blues,Jazz Blues)[6-5]Tonal Context 総括 (Major/Minor/Blues)
７.Cliche/Pedal Point
[7-1]Range/Low Interval Limit[7-2]Pedal Point(Tonic Pedal,Dominant Pedal,Bass Pedal,Interior Pedal,Soprano Pedal)[7-3]Line Cliche (Bass Line Cliche,Chord Voicing)
８.Other kind of Chord
[8-1]Suspended 4th/6th Chord/add9/Fifth Chord[8-2]＃Ⅳm7(b5)/bⅡMaj7[8-3]Substitute Dominant/relⅡm7/MinorⅡⅤ (Jazz Chord Progression)[8-4]Lydian b7 Scale/Locrian natural 6[8-5]Diminished Chord (Passing Diminished/SubⅤ7 Diminished/Ⅰdim7 Ⅴdim7)[8-6]Diminished Chord Scale (Symmetric Diminished Scale/Tonality Diminished Scale)[8-7]Dominant Chord Scale 2 (Symmetric Dominant Scale / Whole tone Scale)
９.Compound Chord
[9-1]Inversion Chord[9-2]Hybrid Chord (Diatonic Chord Scale)[9-3]Hybrid Chord (Non-Diatonic Chord Scale)[9-4]Upper Structure Triad[9-5]Polychord
１０.Modulation
[10-1]Trancepose/Modal Interchange[10-2]Direct Modulation[10-3]Dominant Chord Modulation[10-4]Pivot Chord Modulation[10-5]Transitional Modulation
１１.Modal Context
[11-1]Modal Contextの考え方[11-2]Modal Harmony (Dorian Scale)[11-3]Phrygian Dominant (Spanish 8note Scale)[11-4]Lydian (Scaleのみでの作曲法,Minimal Music)[11-5]Mixolydian (様々なScaleでのModal Interchange)[11-6]Aeolian Locrian Ionian
１２.Advance Modal Context
[12-1]Mode from Harmonic Minor Scale (Tonal&Modal Context)[12-2]Mode From Melodic Minor Scale (Tonal&Modal Context)[12-3]Mode From Harmonic Major Scale (Tonal&Modal Context)[12-4]Other Mode Scale
１３.Contemporary
[13-1]Traditional Scale[13-2]Symmetric Scale (Messiaen Scale)[13-3]現代作曲技法 (Minimal Music,１２音技法,微分音Etc,,,)[13-4]Contemporary Music 作曲
１４.Harmony Arrange
[14-1]PartSoli1 (4part,Close Voicing)[14-2]PartSoli2 (Open Voicing)[14-3]PartSoli3 (3part,2part,5part)[14-4]Approach Technic[14-5]Top Note Voicing (ソロピアノ、ソロギター制作)[14-6]Spread Voicing[14-7]Melodic Embellishment
１５.Harmony Arrange2
[15-1]Voicing in 4th (Tonal Context/Modal Context)[15-2]Voicing in 2nd[15-3]Upper Structure Triad
１６. Arranging
[16-1]楽器の特性、音域の基礎知識[16-2]木管楽器でのArrange[16-3]SaxPhone でのArrange[16-4]金管楽器でのArrange[16-5]Horn Section Arrange[16-6].Big Band Jazz Arrange[16-7]Improvisationの制作
１７. Arranging2
[17-1]弦楽器でのArrange[17-2]打楽器、パーカッション等について[17-3]その他の楽器[17-4]Small Orchestra Arrange[17-5]Full Orchestra Arrange
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皆様のお申し込みをお待ちしております
まずは無料体験レッスン！
皆様のお申し込みをお待ちしております
アダチ音研・運営学科
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